However, where a year ago that was a somewhat depressing notion, now, with the quality of “Insurgent,” viewers will be re-energized in the series, and the prospect of two more films in the franchise, well, actually looks a bit brighter. Yes, there are two more films planned in the “Divergent” series.
That’s not saying “Insurgent” is necessarily as great a film as these three films, but it is saying that “Insurgent” is a worthy sequel that stands on its own and is a quality film.Īnd, again, in this particular instance, “Insurgent” is a better film that not only provides an entertaining night at the movies, but also actually stokes viewers interest again in this story, and actually makes you interested, curious and enthused about just what happens in the next two films in the series. The change from a big average film to an above-average film seems to suggest that director Robert Schwentke (“Red,” “Tattoo,” “The Time Traveler’s Wife,” “R.I.P.D.”) secluded himself in a private screening room deep in some out-of-the-way resort or private residence and watched worthy second-in-the-series sequels “The Empire Strikes Back” and “Terminator 2: Judgment Day” and “The Godfather: Part II” and took notebooks full of studied, detailed notes. “Insurgent” improves so much on “Divergent” it’s startlingly and astonishingly to see the improvement within just a year’s time from the last film’s release to this film’s release.
“Divergent,” alas, was filled with clichés, stereotypes, mediocre to weak acting, weak direction, horribly stilted and formulaic dialogue, and visual effects that didn’t quite cut it in relation to the larger film at hand. Yet, somehow, everything seems to gel, to work, to please, to entertain, to, again, rise above, with “Insurgent”-so much so, viewers will quickly forget “Divergent,” which indeed suffered from everything that “Insurgent” fixes. “Insurgent” is actually worth seeing this mid-March, non-holiday, first-weekend-of-spring (technically) weekend (the film opens nationwide on Friday, March 20)-and that’s saying a lot, considering the depressing wasteland that is filled to capacity with these types of teen-angst genre films.
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The first big movie surprise of the year is “The Divergent Series: Insurgent,” which pulls a sly, crafty and confident “Empire Strikes Back” move and defiantly overcomes most of the glaring, sometimes embarrassing deficiencies in its predecessor from last year, “Divergent.” “Insurgent,” seemingly out of nowhere, abruptly improves upon its predecessor in all filmic areas propels the layered stories, plots, subplots characters forward in more of an adult, intelligent and mature manner and actually rises above most of the clichéd, stereotypical and cookie-cutter anguished teen-angst sci-fi, fantasy and horror muck and grime to actually stand strong as a taut, tight, suspenseful, action-packed– but in a good way–well-acted, strongly-directed and visually stunning-again, in a good way that actually meshes with the story-and mature science-fiction film. Produced by Douglas Wick, Lucy Fisher and Pouya Shabazian Written by Brian Duffield, Akiva Goldsman and Mark Bomback
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